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Opera Broadcasts Monday

Schedule for Monday, April 23

 

 


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A Word About Timings

All timings are listed in both Greenwich Mean Time and Eastern Daylight Time. North America and Europe are now on Daylight Time. For those of you who live in other time zones, you will need to make a calculation to derive the time of an event where you live. In North America subtract four (4) hours (from GMT) for the Eastern Time Zone, five (5) hours for the Central Time Zone, and six (6) hours for the Mountain Time Zone. Subtract seven (7) hours for the Pacific Time Zone and eight (8) hours for Alaska, and nine (9) hours for Hawaii. UK, Ireland and Portugal are one (1) hoour ahead of GMT. In most of the rest of Europe add two (2) hours (some Eastern European countries are three (3) hours ahead of GMT). In the Southern Hemisphere, Australia and New Zealand are on Standard Time (Australia is 10 hours ahead of GMT; New Zealand is 12 hours ahead of GMT).

For those in the United States, it is useful to keep in mind that broadcasts in the evening hours often appear in the NEXT day's listings because they occur in the small hours in GMT time, which is our primary reference in the following listings.For more information on time zone calculations, double click the time display on the lower right of your screen (if you are using a PC) to display the Time Zone tab, then click on the drop-down menu for a full list of time zones and their relationships to Greenwich Mean Time. You may also let the TIME CONVERTER do the calculations for you.

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The Link to the Station Name is to the Station's HOME PAGE | MP3 and OGG VORBIS streams are playable on the WINAMP player | RP = Real Player | WMP = Windows Media Player | indicates a SCALED audio stream - the stream is accessible to those with connections slower than the rated speed of the stream (see the Internet Radio for Techies page for a complete explanation of "scaling" and the Stations page for details about how a specific station applies it) | M indicates a MONO stream; all others are STEREO

SATURDAY | SUNDAY | MONDAY | TUESDAY | WEDNESDAY | THURSDAY | FRIDAY

MONDAY, APRIL 23

  
GMT 0000/EDT 8:00PM (Sunday)
GMT 0100/EDT 8:00PM (Sunday)
 CKUA
Alberta, CANADA
20K WMP M
schedule
 
0000
8:00PM
Bel Musica [No Details available] (3 hrs.)
 VivaLaVoce
(a service of WETA)
Washington, DC, USA

128K WMP

128K MP3

 

schedule
 
0000
8:00PM
Opera at Eight: Rodelinda
George Frideric Handel
Sophie Danemann [Rodelinda] | Daniel Taylor [Bertarido] | Adrian Thompson [Grimoaldo] | Catherine Robbin [Eduige] | Robin Blaze [Unulfo] | Christopher Purves [Garibaldo] | Raglan Baroque Players | Nicholas Kraemer (No duration given)
 WHRB
Cambridge, Massuachusetts, USA
48k AAC+
96K MP3
32K MP3 M
schedule
 
0000
8:00PM
Opera: Albeniz: Merlin;
Álvarez, Domingo, Henschel, Martínez, Eusebio, Symphony Orchestra of Madrid (Decca) (4 hrs.)
  
GMT 0100/EDT 9:00PM (Sunday)
GMT 0100/EDT 9:00PM (Sunday)
 WCRB
Boston Massachusetts, USA
192K MP3
  
schedule
 
0100
9:00PM

Voices: Verdi's Fun-loving, Shakespearean Masterpiece
On Voices this week, it's Verdi's final opera, based on one of the most famous comedies by Shakespeare: "Falstaff"

VERDI Falstaff

Rolando Panerai (Falstaff)
Alan Titus (Ford)
Frank Lopardo (Fenton)
Piero de Palma (Dr. Cajus)
Ulrich Ress (Bardolfo)
Francesco Ellero d'Artenga (Pistola)
Sharon Sweet (Mrs. Alice Ford)
J
ulie Kaufmann (Nannetta)
Marilyn Horne (Mrs. Quickly)
Susan Quittmeyer (Mrs. Meg Page)
Bavarian Radio Symphony Orchestra and Chorus
Colin Davis, conductor (3 hrs.)

  
GMT 0200/EDT 10:00PM (Sunday)
GMT 0200/EDT 10:00PM (Sunday)
 CESKY ROZHLAS -
D-Dur
Prague, CZECH REPUBLIC

256K OGG VORBIS
192K WMP 9
scales
128K OGG VORBIS

80K MP3 M
64K WMP 9 scales
48K OGG VORBIS M

32K MP3 M
32K WMP 9 M
22K OGG VORBIS M
schedule
 
0203
10:03PM
SPECIAL PROGRAM: Jean Philippe Rameau: Castor et Pollux. Výběr z opery [Excerpts]
Účinkují Howard Crook (tenor), Jerome Corréas (baryton), Agnes Mellon (soprán), Véronique Gens (soprán), Mark Padmore /mark padmór/ (kontratenor), Sandrine Piau /sandryn pió/ (soprán), Claire Brua (soprán), Sophie Daneman (soprán), Adrian Brand (tenor), Jean-Claude Sarragosse (bas) a Les Arts Florissants, řídí William Christie. (1 hr., 11 min.).
  
GMT 0300/EDT 11:00PM (Sunday)
GMT 0300/EDT 11:00PM (Sunday)
 KDFC
San Francisco, California, USA

128K aac+
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

128K MP3 [WINAMP]

32K AAC

32K MP3 M

 

schedule
 
0300
11:00PM
San Francisco Opera (airs the first Sunday/Monday of every month): No opera this week (3 hrs.)
 WFMT
Chicago, Illinois, USA

128K aacPLUS
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

64K aacPlus
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

128K MP3

schedule
 
0300
11:00PM
SPECIAL PROGRAM: Collectors’ Corner with Henry Fogel
Renata Tebaldi, the Golden Years – Part II (2 hrs.)
  
GMT 0400/EDT 12:00MIDNIGHT
GMT 0400/EDT 12:00MIDNIGHT
 IPR Classical
Iowa City, Iowa, USA

128K MP3

  
schedule
 
0400
12:00
MIDNIGHT
Opera: Des Moines Metro Opera
Britten’s Billy Budd
Billy Budd: Craig Verm. Edward Fairfax Vere: Roger Honeywell. John Claggart: Zachary James. Mr. Redburn: Dennis Jesse. Mr. Flint: Federico de Michelis. Lieutenant Ratcliffe: Kristopher Irmiter. Red Whiskers: Steven Sanders. Donald: Michael Adams. Dansker: Thomas Hammons. Novice: Christian Sanders. Novice’s Friend: Emmett O’Hanlon. Squeak: Ryan C. Connelly. Bosun: Timothy Bruno. Maintop: Chris Carr. Arthur Jones: Ted Pickell. 1st Mate: Brandon Hendrickson. 2nd Mate: Jesse Stock. Cabin Boy: Benjamin Sarvis.
Des Moines Metro Opera Choir and Orchestra. Conductor: David Neely. (No duration given)
  
GMT 0700/EDT 3:00AM
GMT 0700/EDT 3:00AM
 VivaLaVoce
(a service of WETA)
Washington, DC, USA

128K WMP

128K MP3

 

schedule
 
0700
3:00AM
Opera Encore: Le Cid
Jules Massenet
Grace Bumbry [Chimene] | Plácido Domingo (tenor) [Rodrigue] | Paul Plishka [Don Diegue] | Clinton Ingram [Don Arias] | Theodore Hodges [Don Alonzo] | Arnold Voketaitis [Le Comte de Gormas] | Eleanor Bergquist [L'Infante] | Jake Gardner [Le Roi] | Peter Lightfoot [l'Envoye Maure] | John Adams [St. Jacques] | Byrne Camp Chorale | Opera Orchestra of New York | Eve Queler (conductor) (No duration given)
  
GMT 1100/EDT 7:00AM
GMT 1100/EDT 7:00AM
 BBC RADIO 3
UNITED KINGDOM
96K aac
128K MP3

48K aacPlus
[This links to a 320K stream in the U.K. only]
schedule
 
1100
7:00AM
SPECIAL PROGRAM: Composer of the Week
Barbara Strozzi (1619-1677) Episode 1 of 5

In the Shadow of Monteverdi
This week Donald Macleod explores the life and music of Barbara Strozzi. She was one of the most important composers of Italian cantatas in the seventeenth century and, probably, also a Venetian courtesan. Documentary evidence relating to Strozzi's life is scarce, but we know she was born in Venice and was likely the illegitimate daughter of librettist and poet, Giulio Strozzi. Through him, Barbara came into contact with Monteverdi and later Cavalli who'd be her teacher. She was also introduced to the literati of Venice, whom she would sing for, and act as mistress of ceremonies for their meetings of the Accademia degli Unisoni, established by her father. Strozzi published eight collections of vocal works during her lifetime containing over one hundred works in total, and her music travelled as far as Austria, Germany and England. Dr Sara Pecknold joins Donald Macleod to help lift the veil on this elusive composer.

Barbara Strozzi was fortunate to grow up in a household where she'd meet visitors such as Monteverdi, Cavalli, and other famous Venetian artists of the time. Her mother, Isabella Garzoni, was the long-term servant of the librettist Giulio Strozzi, and may have been a courtesan. Barbara Strozzi was possibly educated in one of Venice's famous ospedali, but she also mentioned in one of her publications that she was taught music by the composer Cavalli. Giulio Strozzi was keen for his illegitimate daughter to be educated to increase her future prospects, but this may also have involved grooming her for the life of a courtesan.

L'Eraclito amoroso, Op 2 No 14
Philippe Jaroussky, countertenor
Le Concert d'Astrée
Emmanuelle Haïm, director, harpsichord, organ

Hor che Apollo è a Teti in seno, Op 8 No 3
Susanne Rydén, soprano
Musica Fiorita

Begli occhi, Op 3 No 9
Christine Brandes, soprano
Jennifer Lane, mezzo-soprano
New York Baroque
Eric Milnes, director

Cor donato, cor rubbato, Op 3 No 10
Christine Brandes, soprano
Jennifer Lane, mezzo-soprano
Kurt-Owen Richards, bass
New York Baroque
Eric Milnes, director

Canto de bella bocca, Op 1 No 2
Emma Kirkby, soprano
Evelyn Tubb, soprano
Alan Wilson, harpsichord
Anthony Rooley, director and lute

Mater Anna, Op 5 No 1
Maria Cristina Kiehr, soprano
Concerto Soave

Producer Luke Whitlock. (1 hr.)

 DWOJKA POLSKIE RADIO
Warsaw, POLAND

128K AAC

128K WMP 9 scaled

 

schedule
 
1100
7:00AM
SPECIAL PROGRAM: Pora koncertowa
Informacje o audycji:
prowadzi Joanna Grotkowska
Laeiszhalle (Hamburg, 26.11.2017)
Georg Philipp Telemann Uwertura G-dur „La musette”, Hélas! Quels soupirs me répondent, C'est ma plus chère envie z opery Orfeusz, Uwertura B-dur „Les Nations”, Jean-Philippe Rameau Kantata „Le berger fidèle”, wyk: Ann Hallenberg, sopran, Les Talens Lyriques, dyr. Christophe Rousset (2 hrs.)
  
GMT 1200/EDT 8:00AM
GMT 1200/EDT 8:00AM
 RADIO ÖSTERREICH INTERNATIONAL
Vienna, AUSTRIA

128K WMP 9

192K MP3
[occasionally skips material in transmission]
 
schedule
 
1200
8:00AM
SPECIAL PROGRAM: René Jacobs, das B'Rock Baroque Orchestra und Monteverdi

Alte Musik im Konzert. Auszüge aus Claudio Monteverdis "Il ritorno d'Ulisse in patria". Gestaltung: Gerhard Hafner

Nach zehnjährigem Krieg vor den Toren Trojas und einer, ein Dezennium andauernden, Irrfahrt kehrt Odysseus, König von Ithaka, schließlich doch auf seine Heimatinsel zurück. Dort wird seine Frau Penelope von machthungrigen Freiern bedrängt, endlich einen neuen Ehemann und damit König zu wählen.

Von allen unerkannt, schafft es allein Odysseus den Bogen des vermeintlich verschollenen Gatten zu spannen, seine geliebte Penelope wiederzugewinnen und sich an seinen Feinden schonungslos zu rächen. Treue und Liebe siegen im Homer'schen Epos und adeln das schicksalsgebeutelte Paar, das nichts weiter als ein Ball im ewigen Spiel der Götter auf Erden ist.

Als Opernvisionär des 16. Jahrhunderts nahm sich Claudio Monteverdi voller Empathie für die Figuren der "Odyssee" an und schuf anno 1640 für Venedig sein Musikdrama "Il ritorno d' Ulisse in patria". Eine Aufführung von Monteverdis dritter überlieferter Oper gleicht dem Gang durch einen dunklen Irrgarten. Denn ein Autograf gibt es nicht, bekannt sind lediglich Abschriften - und diese Notentexte bieten keine Partitur im eigentlichen Sinn, sondern bestenfalls ein Gerüst.
Sie enthalten Singstimme und Bass, keine fürs Basso continuo bestimmte Bezifferung, welche die Harmonie anzeigte, und kaum Angaben zur Instrumentation. Das muss alles neu erfunden werden, weshalb eine klangliche Verwirklichung des Monteverdi'schen "Odysseus" stets eine Hypothese bleiben muss. Beim letztjährigen "Klarafestival" in Brüssel hat Originalklangspezialist René Jacobs gemeinsam mit dem B'Rock Baroque Orchestra und einem internationalen Sängerensemble seine Deutung des Werkes präsentiert.

Playlist

Komponist/Komponistin: Claudio Monteverdi/1567-1643
Textdichter/Textdichterin, Textquelle: Giacomo Baduaro/1602-1654
Vorlage: Homer
Titel: IL RITORNO D'ULISSE IN PATRIA / Dramma per musica (Oper) in einem Prolog und 5 Akten
(aufgenommen am 14. März 2017 beim KlaraFestival in Brüssel)
Solist/Solistin: Stéphane Degout /Ulisse
Solist/Solistin: Katarina Bradic /Penelope
Solist/Solistin: Anicio Zorzi Giustiniani /Telemaco
Solist/Solistin: Jörg Schneider /Iro
Solist/Solistin: Pierre Derhet /Eurimaco
Solist/Solistin: Thomas Walker /Eumete
Solist/Solistin: Mark Milhofer /Pisandro
Solist/Solistin: Johannes Chum /Anfinomo
Solist/Solistin: Marcos Fink /Atino
Orchester: B?Rock Orchestra
Leitung: René Jacobs
Länge: 74:21 min
Label: SM/17/03/08/03 (1 hr., 30 min.)

  
GMT 1605/EDT 12:05PM
GMT 1605/EDT 12:05PM
 KLASSIKARAADIO
Talinn, ESTONIA

128K aacPlus [WINAMP]
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

 
schedule
 
1605
12:05PM
Ooperiõhtu: Itaalia armukolmnurga draama La Scalast

23. aprillil kell 19 esitleb Ooperiõhtu Riccardo Zandonai ooperit “Francesca da Rimini”, mille uuslavastuse esietendus toimus 15. aprillil Milano La Scalas. Tutvustab Tiina Kuningas.

Riccardo Zandonai (1883-1944) ooperi eelmine lavastus, milles laulsid peaosi Magda Olivero ja Mario del Monaco toimus1959. aastal.
Ooperi libreto aluseks on Gabriele D’Annunzio kaasahaarav näidend kirest ja armukadedusest,mis on loodud Dante Alighieri “Jumaliku komöödia” ainetel, mille Zandonai omakorda muusikas jäädvustas.
Uue elu La Scala laval andis teosele lavastaja David Pountney.
Dirigent Fabio Luisi ülesandeks on muusikas edasi anda ja 21. sajandi kuulajani tuua veristliku stiili kogu rikkalik värvigamma.
Nimiosas on Maria José Siri, kes 2016 laulis edukalt peaosa Puccini “Madama Butterfly’s”, tema lavapartnerid on Marcelo Puente ja Gabriele Viviani.
“Francsesca da Riminit” saab La Scalas näha veel 26. ja 29. aprillil ning 6., 10. ja 13 mail.

Riccardo Zandonai sündis 28. mail 1883.aastal Roveretos, mis sel ajal kuulus Austria-Ungari keisririigi koosseisu.
Tema muusikaline anne avaldus juba varases nooruses, 1899. aastal asus ta õppima Pesaro konservatooriumisse, mille 9- aastase õppeaja läbis ta kolme aastaga.
Zandonai kujune Puccini kõrval 20. sajandi alguse silmapaistvaimaks heliloojaks.
Konservatooriumi lõpetas ta ooperiga “Il ritorno di Odisseo”, mis põhines Giovanni Pascoli poeemil. Samal 1902 aastal tegi ta muusika teisele Pascoli poeemile “Il sogno Rosetta”.
1908. aastal kohtus ta Milanos Arrigo Boitoga, kes tegi ta tuttavaks kirjastaja Giulio Ricordiga, kellelt sai innustust puccinilikult veristlike ooperite loomiseks.
Zandonai nimi sai laiemalt tuntuks ooperiga “Francesca da Rimini”, mis loodud Gabriele d’Annunzio tragöödia põhjal, kes omakorda sai ainest Dante “Jumalikust komöödiast”.
Ooperit mängitakse tänini ja seda on korduvalt salvestatud.

Ooper “Francesca da Rimini” on Zandonai 13-st ooperist kõige tuntum. Libreto kirjutas Tito Ricordi Gabriele D’Anninzio näidendi järgi.
Esietendus toimus 19. veebruaril 1914. aastal Teatro Regios Torinos.
Kriitikute arvates on see 20. sajandi Itaalia muusikas üks originaalsemaid ja meisterlikumalt loodud melodraamasid, milles itaalialik meloodiarikkus ühineb suurepärase orkestratsiooniga.

Osatäitjad:

Francesca da Rimini – sopran Maria Josè Siri
tema õde Samaritana – metsosopran Alisa Kolosova
Francsesca armastatu Paolo il Bello – tenor Marcelo Puente
Francsesca vend Ostasio – bass Costantino Finucci
Francsesca abikaasa Gianciotto – bariton Gabriele Viviani
Gianciotto vend Malatestino – Luciano Ganci
teenijanna Smaragdi – metsosopran Idunnu Münch
La Scala koori ja orkestrit juhatab Fabio Luisi.

Etendus toimus 15. aprillil 2018 Milano La Scalas.

Ooperit tutvustab Tiina Kuningas. (3 hrs.)

  
GMT 1639/EDT 12:39PM
GMT 1639/EDT 12:39PM
 YLE KLASSINEN
Finnish Radio

256k AAC
192k WMP

 
schedule
 
1639
12:39PM
SPECIAL PROGRAM: Mahler: Sinfonia nro 8 Es-duuri (Tuhannen sinfonia). (Faye Robinson, Judith Blegen ja Deborah Sasson, sopraano, Florence Quivar ja Lorna Myers, altto, Kenneth Riegel, tenori, Benjamin Luxon, baritoni, ja Gwynne Howell, basso, sekä Bostonin poikakuoro, Tanglewoodin musiikkijuhlien kuoro ja Bostonin SO/Seiji Ozawa). (1 hr., 20 min.)
  
GMT 1800/EDT 2:00PM
GMT 1800/EDT 2:00PM
 CESKY ROZHLAS 3 -
VLTAVA
Prague, CZECH REPUBLIC

256K (VBR) OGG VORBIS
192K WMP 9
128K (VBR) OGG VORBIS
128 WMP 9

128 aacPlus
128K MP3 [WINAMP]
64K WMP 9
32K WMP 9

40K MP3 [WINAMP] M
32K aacPlus
schedule
 
1800
2:00PM

SPECIAL PROGRAM: Koncertní sezóna

Z archivních nahrávek Rozhlasových symfoniku. Studiová nahrávka z roku 1983. Joseph Haydn: Rocní doby. Oratorium pro sóla, sbor a orchestr, na slova Gottfrieda van Swietena podle básne Jamese Thomsona The Seasons v prekladu Zdenka Knittla, Hob XXI:3 (113 min). Zpívají Daniela Šounová-Brouková, Karel Pruša, Miroslav Kopp a Pevecký sbor Cs. rozhlasu v Praze, sbormistr Milan Malý. Hraje Symfonický orchestr Cs. rozhlasu v Praze, rídí František Vajnar. (2 hrs.)

  
GMT 1900/EDT 3:00PM
GMT 1900/EDT 3:00PM
 BR KLASSIK
Munich, GERMANY

128K MP3 [[WINAMP]

 
schedule
 
1900
3:00PM

SPECIAL PROGRAM: KATHARINA RUCKGABER
SWEET SPOT. NEUGIERIG AUF MUSIK
Die Sopranistin Katharina Ruckgaber
Sweet Spot, das ist im akustischen Sinne der Platz in einem Raum, an dem der Klang am besten ist. SWEET SPOT ist das junge Klassik-Magazin des Bayerischen Rundfunks, die junge Sicht auf Klassik im Radio, im BR Fernsehen und im Netz: trendy, unverschämt, überraschend und humorvoll. SWEET SPOT entdeckt originelle Klänge, Musiktrends und die Künstler von morgen. Willkommen im Wohnzimmer der jungen Klassikszene!

Wie viele Kinder hat Katharina Ruckgaber mit dem Klavier angefangen. Aber die gebürtige Münchnerin spürt schon bald: Die große Liebe ist das Instrument nicht. Ihren musikalischen Weg findet sie, als sie eine Freikarte für die Oper geschenkt bekommt. Am Montag erzählt Katharina die ganze Geschichte in SWEET SPOT und singt Lieder von Franz Schubert und Hugo Wolf, begleitet von Akemi Murakami am Klavier.

Bei unserer letzten Runde Bayern-Dart hat der Pfeil gleich neben Gerolzhofen eingeschlagen. Unser Reporter Thomas war in der unterfränkischen Stadt und hat für Euch die dortige Musikszene abgecheckt. Dazu berichten wir über den BMW Welt Jazz Award und sagen Euch, welche Musikfilme es beim diesjährigen Dok.Fest in München gibt.

Telefon während der Sendung: 0800 - 80 4 8 100
Internet: www.br-klassik.de/sweetspot (2 hrs.)

  
GMT 2230/EDT 6:30PM
GMT 2230/EDT 6:30PM
 YLE KLASSINEN
Finnish Radio

256k AAC
192k WMP

 
schedule
 
2237
6:37PM
SPECIAL PROGRAM: Tshaikovski: Katkelmia oopp. Patarouva. (Sergei Larin, tenori, Jelena Prokina, sopraano, Vasili Gerello, baritoni, Dmitri Hvorostovski, baritoni, Jelena Obraztsova, mezzosopraano ja Marina Domashenko, mezzosopraano, ja Venäjän Henkisen renessanssin kuoro sekä Philharmonia of Russia -ork./Constantine Orbelian). (1 hr., 19 min.)
  
GMT 2325/EDT 7:25PM
GMT 2325/EDT 7:25PM
 METROPOLITAN OPERA
New York City, New York, USA
128K AAC
128K MP3
schedule
 
2325
7:25PM
SPECIAL PROGRAM: CHARLES GOUNOD
Roméo et Juliette
Juliette: Ailyn Pérez.
Stéphano: Karine Deshayes.
Roméo: Andrea Shin.
Mercutio: Joshua Hopkins.
Frère Laurent: Kwangchul Youn.
Metropolitan Opera Choir and Orchestra. Conductor: Plácido Domingo. (approx. 4 hrs.)
  
GMT 2343/EDT 7:43PM
GMT 2343/EDT 7:43PM
 CESKY ROZHLAS -
D-Dur
Prague, CZECH REPUBLIC

224K OGG VORBIS
192K WMP 9
scaled
128K OGG VORBIS

80K MP3
64K WMP 9 scaled
48K OGG VORBIS M

32K MP3 M
32K WMP 9
16K OGG VORBIS M
schedule
 
2343
7:43PM
SPECIAL PROGRAM: Antonio Caldara: Maddalena ai piedi di Cristo. Oratorium pro sóla a komorní orchestr
; Zpívají Maria Cristina Kiehr (soprán), Gerd Türk (tenor), Rosa Dominguez (soprán), Ulrich Messthaler (baryton), Andreas Scholl (kontratenor) a Bernarda Fink (mezzosoprán), hraje Orchestre de la Schola Cantorum Basiliensis, rídí René Jacobs. (2 hrs., 7 min.)
 

 

   
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