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Opera Broadcasts Tuesday

Schedule for Tuesday, January 15

 

 
 


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LISTED TIMES ARE GMT

A Word About Timings

All timings are listed in both Greenwich Mean Time and Eastern Standard Time. North America and Europe are now on Standard Time. For those of you who live in other time zones, you will need to make a calculation to derive the time of an event where you live. In North America subtract five (5) hours (from GMT) for the Eastern Time Zone, six (6) hours for the Central Time Zone, and seven (7) hours for the Mountain Time Zone. Subtract eight (8) hours for the Pacific Time Zone and nine (9) hours for Alaska, and ten (10) hours for Hawaii. UK, Ireland and Portugal are matched to GMT. In most of the rest of Europe add one (1) hour (some Eastern European countries are two (2) hours ahead of GMT). In the Southern Hemisphere, Australia and New Zealand are on Daylight Time (Australia is 11 hours ahead of GMT; New Zealand is 13 hours ahead of GMT).

For those in the United States, it is useful to keep in mind that broadcasts in the evening hours often appear in the NEXT day's listings because they occur in the small hours in GMT time, which is our primary reference in the following listings.

For more information on time zone calculations, double click the time display on the lower right of your screen (if you are using a PC) to display the Time Zone tab, then click on the drop-down menu for a full list of time zones and their relationships to Greenwich Mean Time. You may also let the TIME CONVERTER do the calculations for you.

KEY TO READING THE SCHEDULE

The Link to the Station Name is to the Station's HOME PAGE | MP3 and OGG VORBIS streams are playable on the WINAMP player | RP = Real Player | WMP = Windows Media Player | indicates a SCALED audio stream - the stream is accessible to those with connections slower than the rated speed of the stream (see the Internet Radio for Techies page for a complete explanation of "scaling" and the Stations page for details about how a specific station applies it) | M indicates a MONO stream; all others are STEREO

SATURDAY | SUNDAY | MONDAY | TUESDAY | WEDNESDAY | THURSDAY | FRIDAY

TUESDAY, JANUARY 15

  
GMT 0000/EDT 7:00PM (Monday)
GMT 0000/EDT 7:00PM (Monday)
 YLE KLASSINEN
Finnish Radio

256k AAC
192k WMP

 
schedule
 
0000
7:00PM
SPECIAL PROGRAM: Händel: Susanna, oratorio
(Lorraine Hunt, sopraano, Jill Feldman, sopraano, Drew Minter, kontratenori, Jeffrey Thomas, tenori, William Parker, baritoni, David Thomas, basso, ja Kalifornian yliopiston kamarikuoro ja Philharmonia-barokkiork./Nicholas McGegan). (2 hrs., 59 min.)
  
GMT 0100/EDT 8:00PM (Monday)
GMT 0100/EDT 8:00PM (Monday)
 VivaLaVoce
(a service of WETA)
Washington, DC, USA

128K WMP

128K MP3

 

schedule
 
0100
8:00PM
Opera at Eight: L'incoronazione di Poppea
Claudio Monteverdi
Anne Sofie von Otter (mezzo-soprano) [La Fortuna] | Catherine Bott [La Virtù] | Marinella Pennicchi [Amore] | Sylvia McNair [Poppea] | Anne Sofie von Otter (mezzo-soprano) [Ottavia] | Dana Hanchard [Nerone] | Michael Chance (alto) [Ottone] | Francesco Ellero d'Artegna [Seneca] | Catherine Bott [Drusilla] | Bernarda Fink (alto) [Arnalta] | Roberto Balconi [Nutrice] | Mark Tucker (tenor) [Soldato] | Nigel Robson [Soldato] | Mark Tucker (tenor) [Lucano] | Constanze Backes [Valletto] | Marinella Pennicchi [Damigella] | Nigel Robson [Liberto] | Julian Clarkson [Littore] | The English Baroque Soloists | John Eliot Gardiner (conductor) (No duration given)
  
GMT 0400/EDT 11:00PM (Monday)
GMT 0400/EDT 11:00PM (Monday)
 KXLU
Los Angeles, California, USA
56K MP3
schedule
 
0400
11:00PM
Monday Night Opera: Host: Katherine Free
No details available yet (3 hrs.)
 YLE KLASSINEN
Finnish Radio

256k AAC
192k WMP

 
schedule
 
0400
11:00PM
SPECIAL PROGRAM:  Aamuklassinen.

Wanderers´ Voices, musiikkia ja lauluja keskiajalta (Drew Minter, kontratenori, ja The Newberry Consort). (1 hr., 4 min.)

  
GMT 0800/EDT 3:00AM
GMT 0800/EDT 3:00AM
 VivaLaVoce
(a service of WETA)
Washington, DC, USA

128K WMP

128K MP3

 

schedule
 
0800
3:00AM
Opera Encore: Serse (Xerxes)
George Frideric Handel
Judith Malafronte [Serse (Xerxes)]| Jennifer Smith (soprano) [Romilda]| Lisa Milne (soprano) [Atalanta]| Susan Bickley [Amastre]| Brian Asawa [Arsamene]| David Thomas [Elviro]| Dean Ely [Ariodate]| Hanover Band and Chorus| Nicholas McGegan (conductor) (No duration given)
  
GMT 1200/EST 7:00AM
GMT 1200/EST 7:00AM
 BBC RADIO 3
UNITED KINGDOM
96K aac
128K MP3

48K aacPlus
[This links to a 320K stream in the U.K. only]
schedule
 
1200
7:00AM

SPECIAL PROGRAM: Composer of the Week
Jean-Philippe Rameau (1683 - 1764) [Episode 2 of 5]

Help is at hand

Donald Macleod’s survey of Jean-Philippe Rameau’s operas comes to Les Indes Galantes, a joyous celebration of singing and dancing.

At his death in 1764, Rameau, by then an octogenarian, had more than 30 stage works to his credit. It’s a remarkable achievement when you consider he produced his first opera at the age of 50. Up to that point, although details about his life are surprisingly patchy, he appears to have held a succession of posts in the provinces, as an organist, teacher and theoretician, seemingly without even a whiff of greasepaint. Then, at an age when one might assume his chosen path was settled, Rameau upped sticks, came back to Paris and conquered the stage with breathtaking speed.
Across the week Donald Macleod focuses on those heady, initial years in the French capital, building a picture of what made Rameau into a highly successful, if controversial, theatrical composer.

Having stirred up a storm with Hippolyte et Aricie, two years later in 1735 Rameau was back in the spotlight with the saucily titled Les Indes Galantes or Love in Exotic Climes. His critics were up in arms all over again. But Rameau had his defences, among them, the protection of a fabulously rich patron.

Les Indes Galantes (suite)
Gavotte qu’on peut jouer sur le clavecin ou sur le violon (Deuxieme concert)
Christophe Rousset, harpsichord

La Pouplinière
Christophe Rousset, harpsichord
Ryo Terakado, violin
Kaori Uemura, viola da gamba

Les Indes Galantes (excerpt)
Les Incas du Pérou
Bernard Delétré, bass Huascar
Isabelle Poulenard, soprano, Phani
Jean-Paul Fouchécourt, tenor, Don Carlos
Les Arts Florissants
William Christie, director

Nouvelles Suites de Pièces de Clavecin
Gavotte
Mahan Esfahani, harpsichord

Les Indes Galantes (Suite) (excerpts)
Le Concert des Nations
Jordi Savall, director (1 hr.)

  
GMT 1835/EDT 1:35PM
GMT 1835/EDT 1:35PM
 BARTOK RADIO
Budapest, HUNGARY

96K aacPlus [WINAMP]
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

96K MP3

schedule
 
1835
1:35PM
Opera: No opera today
  
GMT 1900/EDT 2:00PM
GMT 1900/EDT 2:00PM
 NRK KLASSISK
Oslo, NORWAY

192K MP3

128K aacPlus [WINAMP]
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

96K MP3

 

schedule
 
1900
2:00PM
SPECIAL PROGRAM: Ingen feirer konserten som britene - Last Night of the Proms er en stor hit! Men også her i NRK Klassisk får du gyldne konsertøyeblikk fra inn-og utland - programleder er Mari Lunnan.

Prom 75: Last Night of the Proms
Sat 8 Sep 2018 Royal Albert Hall
Baritone Gerald Finley and saxophonist Jess Gillam join Sir Andrew Davis and the BBC SO for the musical party that is the Last Night of the Proms. The programme includes music by Stanford, Parry and Elgar.

Programme

Paul Hindemith
Overture 'Neues vom Tage'(7 mins)
Hector Berlioz
Lelio - Fantasy on Shakespeare's 'The Tempest'(15 mins)
Roxanna Panufnik
Songs of Darkness, Dreams of Light(10 mins)
Charles Villiers Stanford
Songs of the Sea(18 mins)
The Bluebird(4 mins)
Hubert Parry
Blest Pair of Sirens(11 mins)
INTERVAL
Camille Saint-Saëns
Suite algérienne, Op 60(5 mins)
Darius Milhaud
Scaramouche(10 mins)
Richard Rodgers
Carousel – 'Soliloquy'(8 mins)
Henry Wood
Fantasia on British Sea-Songs
Thomas Arne
Rule, Britannia! (arr. Sargent)(5 mins)
Edward Elgar
Pomp and Circumstance March No 1 in D major, 'Land of Hope and Glory'(8 mins)
Hubert Parry
Jerusalem (orch. Elgar)(3 mins)
Unknown
The National Anthem (arr. Britten)(3 mins)
Auld Lang Syne(2 mins)

Performers

Jess Gillam
saxophone

Gerald Finley
baritone

BBC Singers

BBC Symphony Chorus

BBC Symphony Orchestra

Sir Andrew Davis
conductor
(Some details from outside sources: A full description not up) (2 hrs.)

 

RADIO KLASSIK STEPHANSDOM
Vienna, AUSTRIA

128K MP3
  
schedule
 
1900
2:00PM

Opernabend: Haydn, Michael (1737-1806)
Die Wahrheit der Natur

Mentor: Maximilian Kiener
Die Natur: Armin Gramer
Aglaia, die Dichtkunst: Lina Ferencz
Euphrosina, die Tonkunst: Nele Gramß
Thalia, die Malerei: Diana Plasse
Herr Vollstreich: Virgil Hartinger
Herr von Wurmstich: Markus Miesenberger

Salzburger Hofmusik
Leitung: Wolfgang Brunner

Diese Aufnahme entstand im Jahr 2015.
CD: cpo, 555032-2 (1 hr., 26 min.)

 RAI RADIO 3
Rome, ITALY

128K aacPlus

  
schedule
 
1900
2:00PM
Il Cartellone: Wagner, L' Olandese volante
Teatro del Maggio Musicale Fiorentino

Martedì 15 gennaio dalle ore GMT 19.00 nuovo entusiasmante appuntamento in diretta con Il Cartellone e con Radio3, dal Maggio Musicale Fiorentino un nuovo allestimento dell'Olandese volante di Richard Wagner.

Alle origini dell'opera sono le antiche leggende sul capitano Bernard Fokke, realmente esistito nel XVII secolo, ma anche letture di Heine e frammenti autobiografici (nel 1839 Wagner si ritrovò, fuggiasco, con la moglie Minna nel bel mezzo di una tempesta che trova eco nell’opera). Der fliegende Holländer narra l'incantesimo che condanna il ribelle Olandese a vagare in eterno e la sua redenzione ottenuta per amore dal sacrificio della giovane Senta. Questa è la prima opera di Wagner che Fabio Luisi dirige in Italia; una “favola per adulti” la definisce il direttore genovese, ma anche momento di svolta nella poetica del giovane Wagner. Inizia infatti proprio da qui la ricerca del musicista sul valore di un’idea sonora che identifichi concetti personaggi o stati d'animo: elemento drammaturgico oltre che musicale, il leit-motiv è il modo nuovo in cui il musicista conduce il racconto simbolicamente con continui richiami all'attenzione emotiva dell'ascoltatore, il quale identifica e riconosce col solo suono gli elementi salienti della narrazione. Il regista Paul Curran definisce Wagner un vero "pioniere del suo tempo" e affronta con entusiasmo le difficili sfide di un lavoro in cui si affacciano miti e trascendenza e ricco di suggestioni fantastiche – qui realizzate nelle scene di Valerio Santoliquido. L'Olandese, che la regia vuole definire nei suoi chiaroscuri, sarà Thomas Gazheli mentre Marjorie Owens interpreterà Senta. In questo personaggio, che già nel 1840 appariva nuovo rispetto alle eroine dell'opera, Curran vede una donna assolutamente moderna nella coerenza coraggiosa delle proprie scelte; in modo originale ed attualissimo il regista scozzese mette poi in relazione alla tecnologia e al suo uso le potenziali condanne dell'uomo moderno. Completano il cast Peter Tantsists come Erik, non fortunato innamorato di Senta, mentre il padre di lei Daland è Michail Petrenko e Mary è Annette Jahns.

------------------------------------------------------------------

In diretta dal Teatro del Maggio Musicale Fiorentino
DER FLIEGENDE HOLLÄNDER
(L’olandese volante)
Opera in tre atti
Libretto e musica di Richard Wagner
L’olandese, Thomas Gazheli
Erik, Peter Tantsists
Daland, Michail Petrenko
Senta, Marjorie Owens
Mary, Annette Jahns
Orchestra e Coro del Maggio Musicale Fiorentino
Coro Ars Lyrica
M° del Coro, Lorenzo Fratini
direttore, Fabio Luisi
regia, Paul Curran
scene, Saverio Santoliquido
costumi, Gabriella Ingram (3 hrs.)

  
GMT 1930/EDT 2:30PM
GMT 1930/EDT 2:30PM
 RADIO CLASSICA
Rome, ITALY

128K aacPlus

 
schedule
 
1930
2:30PM
In Sala: jules massenet
chérubin, "comédie chantée " in tre atti su libretto di francis de croisset e henri cain (da beaumarchais). prima rappresentazione: montecarlo, teatro dell'opera, 14 febbraio 1903. ouverture e atto I 1/1-1/7 41'52". entr'acte e atto II 2/1-2/9 44'10". entr'acte e atto III 2/10-2/13 29'12"
personaggi e interpreti: cherubino: frederica von stade, msopr; il filosofo: samuel ramey, bs; l'ensoleillad: june anderson, sopr; nina: dawn upshaw, sopr; il conte: jean-marc ivaldi, br; la contessa: hélène garetti, sopr; il barone: michel trempont, br; la baronessa: brigitte balleys, msopr; il duca: michel sénéchal, ten; ricardo: claes h. ahnsjo, ten; orch della radio di monaco e coro della radio bavarese dir. pinchas steinberg - m° del coro: udo mehrpohl (reg. 1991)
durata: 115.12
rca 09026-60593-2-1 f 2F tr 1 (2 hrs.)
  
GMT 2142/EST 4:42PM
GMT 2142/EST 4:42PM
 ESPACE 2
Lausanne, SWITZERLAND
96K aacPLUS
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page
128K MP3 [WINAMP]
 
schedule
 
2142
4:42PM
SPECIAL PROGRAM: Poussière d'étoile
Jean-Pierre Amann
Indissociables

Programme musical
Sergey Prokofiev Roméo et Juliette. Ballet en 4 actes (extrait): 24. Tanz der fünf Paare = Danse des cinq couples (Vivo - Meno mosso, Moderato marciale - Vivo, come prima), Berliner Philharmoniker , Claudio Abbado / DG
Wolfgang Amadeus Mozart Bastien et Bastienne: Diggi, daggi, schurry, murry, Bryn Terfel , Scottish Chamber Orchestra , Charles Mackerras / DG
Fritz Kreisler Aucassin & Nicolette, pour alto et piano: Aucassin & Nicolette, pour alto et piano, Thomas Hoppe , Tabea Zimmermann / myrios classics
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: [Prélude] (Gravement) - Récitatif (Pirame pour Tisbé), Seminario Musicale , Gérard Lesne / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Air (Si votre tendresse est extrême...), Gérard Lesne , Seminario Musicale / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Récitatif (Tisbé, pour résister à l'ardeur...), Seminario Musicale , Gérard Lesne / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Air (Au pied de ces tombeaux sacrés...), Seminario Musicale , Gérard Lesne / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Air (Vole, vole, dit-elle...), Seminario Musicale , Gérard Lesne / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Plainte (Quoi? Tisbé, tu n'es plus?...), Seminario Musicale , Gérard Lesne / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Air (Venez, monstres affreux...), Seminario Musicale , Gérard Lesne / Virgin
Louis-Nicolas Clérambault Cantates françoises... Livre II (extrait). Pirame et Tisbé. Cantate pour 1 voix et ensemble instrumental: Air (Amour, qui voudra désormais s'empresser...), Gérard Lesne , Seminario Musicale / Virgin
Adelheid Wette , Engelbert Humperdinck Hänsel und Gretel. Opéra en 3 actes (extrait): Suse, liebe Suse... Brüderchen, komm tanz mit mir. (Gretel, Hänsel), I, Josef Krips , Elisabeth Schwarzkopf , Irmgard Seefreid , London Philharmonia Orchestra / EMI Classics
Adelheid Wette , Engelbert Humperdinck Hänsel und Gretel. Opéra en 3 actes (extrait): Der kleine Sandmann bin ich... Abends, will ich schlafen gehn. (Gretel, Hänsel), II, Irmgard Seefreid , Josef Krips , London Philharmonia Orchestra , Elisabeth Schwarzkopf / EMI Classics
Heinrich Sutermeister Max und Moritz. Prologue et 4 images pour quatuor vocal et piano à 4 mains: Max und Moritz. Prologue et 4 images pour quatuor vocal et piano à 4 mains, Paul-André Gaillard / Enr. RSR
Maurice Ravel Daphnis et Chloé. Symphonie chorégraphique en 3 mouvements, pour choeur et orchestre: 2. Lever du jour, André Cluytens , Paris Orchestre du Conservatoire , Choeurs René Duclos / EMI Classics
Maurice Ravel Daphnis et Chloé. Symphonie chorégraphique en 3 mouvements, pour choeur et orchestre: 3. Pantomime, Choeurs René Duclos , André Cluytens , Paris Orchestre du Conservatoire / EMI Classics
Maurice Ravel Daphnis et Chloé. Symphonie chorégraphique en 3 mouvements, pour choeur et orchestre: 4. Danse générale - Bacchanale, Choeurs René Duclos , André Cluytens , Paris Orchestre du Conservatoire / EMI Classics (1 hr., 21 min.)

  
   
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