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Opera Broadcasts Tuesday

Schedule for Tuesday, January 16

 

 
 


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SATURDAY | SUNDAY | MONDAY | TUESDAY | WEDNESDAY | THURSDAY | FRIDAY

TUESDAY, JANUARY 16

  
GMT 0100/EST 8:00PM (Monday)
GMT 0100/EST 8:00PM (Monday)
 VivaLaVoce
(a service of WETA)
Washington, DC, USA

128K WMP

128K MP3

 

schedule
 
0100
8:00PM
Opera at Eight: Atalanta
George Frideric Handel
Éva Farkas [Atalanta] | Éva Bártfai-Barta [Meleagro] | Éva Lax [Irene] | János Bándi [Aminta] | József Gregor [Nicandro] | László Polgár [Mercury] | Savaria Vocal Ensemble | Capella Savaria | Nicholas McGegan (conductor) (No duration given)
  
GMT 0156/EST 8:56PM (Monday)
GMT 0156/EST 8:56PM (Monday)
 YLE KLASSINEN
Finnish Radio

192k WMP

 
schedule
 
0156
8:56PM
SPECIAL PROGRAM: Tshaikovski: Lumityttö, näytelmämusiikkia. (Jelena Okolitsheva, mezzosopraano ja Arkadi Mishenkin, tenori sekä Moscow Cappella -kuoro ja Moskovan SO/Igor Golovshtshin). (1 hr., 21 min.)
  
GMT 0300/EST 10:00PM (Monday)
GMT 0300/EST 10:00PM (Monday)
 

CONCERTZENDER
Hilversum, NETHERLANDS

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schedule
 
0300
10:00PM
SPECIAL PROGRAM: 1. Vytautas Bacevicius. Grafika, opus 68.
Staats Symfonie Orkest van Lithouwen olv Vytautas Lukocius.
2. Bronius Kutavicius. Kamer-cantate ‘Two birds in the shade of the woods.
Giedré Kaukaité, sopraan. Eugenijus Piliciauskas, hobo. Julijus Andrejevas & Jurgis Banevicius, piano. (1 hr., 20 min.)
 AZPM Classical
Tucson, Arizona, USA

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schedule
 
0300
10:00PM
SPECIAL PROGRAM: THE NEW YORK PHILHARMONIC THIS WEEK with Alec Baldwin – Conductor: Valery Gergiev; Alexander Timchenko, tenor, Dmitry Voropaev, tenor, Ilya Bannik, bass, Andrei Serov, bass/baritone; Alec Baldwin: narrator; Matt Cavanaugh: Soldier; Daniel Davis: Devil

Igor Stravinsky: Renard

Igor Stravinsky: A Soldier’s Tale

Igor Stravinsky: Pétrouchka--Alan Gilbert, conductor (2 hrs.)

  
GMT 0400/EST 11:00PM (Monday)
GMT 0400/EST 11:00PM (Monday)
 KXLU
Los Angeles, California, USA
56K MP3
schedule
 
0400
11:00PM
Monday Night At The Opera: Host: Katherine Free
No details available yet (3 hrs.)
  
GMT 0650/EST 1:50AM
GMT 0650/EST 1:50AM
 

CONCERTZENDER
Hilversum, NETHERLANDS

256K MP3
64K aacPLUS

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schedule
 
0650
1:50AM
SPECIAL PROGRAM: Arnold Schoenberg. Pierrot Lunaire, opus 21 op gedichten van Albert Giraud.
2. Andrea Portera (geb. 1973). Red Music.
Anna Clementi, spreker. Ensemble Bios olv. Andrea Vitello.
[Continuo Records CR 114] (1 hr., 10 min.)
  
GMT 0800/EST 3:00AM
GMT 0800/EST 3:00AM
 VivaLaVoce
(a service of WETA)
Washington, DC, USA

128K WMP

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schedule
 
0800
3:00AM
Opera Encore: Die Frau ohne Schatten
Richard Strauss
Plácido Domingo (tenor) [Der Kaiser] | Julia Varady (soprano) [Die Kaiserin] | Reinhild Runkel [Die Amme] | Albert Dohmen [Der Geisterbote] | José van Dam (baritone) [Barak, der Färber] | Hildegard Behrens (soprano) [Baraks Frau] | Sumi Jo [Die Stimme des Falken] | Robert Gambill [Die Erscheinung eines Jünglings] | Alzbieta Ardam [Eine Stimme von oben] | Eva Lind [Der Hüter der Schwelle] | Gottfried Hornik (bass) [Der Einäugige] | Hans Franzen [Der Einarmige] | Wilfried Gahmlich [Der Bucklige] | Vienna Boys Choir | Vienna State Opera Concert Chorus | Vienna Philharmonic | Sir Georg Solti (conductor) (No duration given)
  
GMT 1730/EST 12:30PM
GMT 1730/EST 12:30PM
 ESPACE 2
Lausanne, SWITZERLAND
96K aacPLUS
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page
128K MP3 [WINAMP]
 
schedule
 
1730
12:30PM
SPECIAL PROGRAM: Quai des orfèvres
Catherine Buser
Adrian Boult, big moustache and long baton

Programme musical
Malcolm Arnold English Dances = Danses anglaises, pour orchestre. Set II, 1. Allegro non troppo, ( dir. Adrian Boult) / London Philharmonic Orchestra / London
Malcolm Arnold English Dances = Danses anglaises, pour orchestre. Set II, 2. Con brio, ( dir. Adrian Boult) / London Philharmonic Orchestra / London
Malcolm Arnold English Dances = Danses anglaises, pour orchestre. Set II, 3. Grazioso, ( dir. Adrian Boult) / London Philharmonic Orchestra / London
Malcolm Arnold English Dances = Danses anglaises, pour orchestre. Set II, 4. Giubiloso, ( dir. Adrian Boult) / London Philharmonic Orchestra / London
Ralph Vaughan Williams The Lark Ascending, romance pour violon et orchestre, The Lark Ascending, Adrian Boult , New Philharmonia Orchestra , Hugh Bean / EMI
Henry Litolff Concerto Symphonique, pour piano et orchestre, no 4 (extrait), 2. Scherzo (Presto), ( dir. Adrian Boult) / London Philharmonic Orchestra Clifford Curzon / Decca

Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, Teil I: 1. Prelude, ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 2. Jesu, Maria - I am near to death (Gerontius), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 3. Kyrie eleison (Chor), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 4. Rouse thee, my fainting soul (Gerontius), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 5. Be merciful, be gracious (Chor), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 6. Sanctus fortis, Sanctus Deus (Gerontius), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 7. I can do no more, for now it comes again (Gerontius), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 8. Rescue him, O Lord (Chor), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 9. Novissima hora est (Gerontius), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 10. Proficisere, anima Christiana (Priester), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI
Edward Elgar The Dream of Gerontius, oratorio pour soli, choeur et orchestre, 11. Go in the name of Angels (Chor), ( dir. Adrian Boult) / London Philharmonic Orchestra Nicolai Gedda , Helen Watts , Robert Lloyd , Robert LloydLondon Philharmonic Choir , London John Alldis Choir / EMI

Edward Elgar Cinq [= 5] Improvisations pour piano, No 1, Edward Elgar / EMI
Edward Elgar Cinq [= 5] Improvisations pour piano, No 2, Edward Elgar / EMI
Edward Elgar Cinq [= 5] Improvisations pour piano, No 3, Edward Elgar / EMI
Edward Elgar Sérénade pour cordes, en mi mineur, 1. Allegro piacevole, ( dir. Adrian Boult) / London Philharmonic Orchestra / Emi
Edward Elgar Sérénade pour cordes, en mi mineur, 2. Larghetto, ( dir. Adrian Boult) / London Philharmonic Orchestra / Emi
Edward Elgar Sérénade pour cordes, en mi mineur, 3. Allegretto, ( dir. Adrian Boult) / London Philharmonic Orchestra / Emi (1 hr., 30 min.)

  
GMT 1800/EST 1:00PM
GMT 1800/EST 1:00PM
 BARTOK RADIO
Budapest, HUNGARY

96K aacPlus [WINAMP]
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

96K MP3

schedule
 
1800
1:00PM

Opera: Prológ
Händel: Ottone
A mikrofonnál: László Ferenc
Szerk.: Katona Márta

18.35 Händel: Ottone
Opera három felvonásban
Szövegét Nicola Francesco Haym írta
Vez. George Petrou
Km. Il Pomo d'Oro
Szereposztás:
Ottone - Max Emanuel Cencic (kontratenor),
Teofane - Lauren Snouffer (szoprán),
Emireno - Pavel Kudinov (basszus),
Alberto - Xavier Sabata (kontratenor),
Gismonda - Ann Hallenberg (mezzoszoprán),
Matilda -Anna Sztarusevics (mezzoszoprán). (4 hrs., 4 min.)

 NRK KLASSISK
Oslo, NORWAY

192K MP3
128K aacPlus [WINAMP]
If you hear a white noise while playing this stream we suggest you change (at your own risk) the output driver in WINAMP to the directSound Driver. See instructions for this on our Internet Radio for Techies page

96K MP3

 

schedule
 
1800
1:00PM
SPECIAL PROGRAM: Fusjonsfest i Aulaen med Barokkanerne og Det norske barokkorkester, heretter kalt "Barokkanerne - Norwegian Baroque Ensemble". Musikk av Lully, Corelli, Händel, Telemann, Vivaldi og Rebel. Sopranen Joanne Lunn er solist i arier fra Händels "Il trionfo del Tempo e del Disinganno" og Vivaldis "In furore iustissimae irae". Opptak fra 14. januar 2018 i Univeritetets aula i Oslo. (3 hrs.)
  
GMT 1900/EST 2:00PM
GMT 1900/EST 2:00PM
 BR KLASSIK
Munich, GERMANY

128K MP3 [[WINAMP]

 
schedule
 
1900
2:00PM

SPECIAL PROGRAM: INTERPRETATIONEN IM VERGLEICH
Camille Saint-Saëns: "Samson et Dalila"
Ein Werk - zahlreiche ältere und neuere Einspielungen von großen Interpreten nebeneinander gestellt – einmal im Monat
Weil Camille Saint-Saëns sich nicht zwischen dem ursprünglich konzipierten Oratorium und einer Grand Opéra mit Ballett entscheiden konnte, fand er in Frankreich kein Theater, das "Samson et Dalila" zur Uraufführung annehmen wollte. Durch den deutsch-französischen Krieg verzögerte sich auch die von Franz Liszt zugesagte Premiere in Weimar bis 1877. Als es endlich so weit war, wurde dem Komponisten einerseits zum Vorwurf gemacht, dass seine Melodien von Salonorchestern nachgespielt werden, andererseits, dass er sich für sein biblisches Sujet bei Bach und Händel inspirieren ließ. Davon ließen sich Mezzosoprane wie Elena Obrastzova, Rita Gorr und Waltraud Meier jedoch nicht abschrecken, die faszinierende Femme fatale auf der Bühne zu verkörpern - während Tenöre die Verzweiflungsausbrüche des geschorenen Samson im dritten Akt fürchten. Berühmte Dirigenten wie Louis Fourestier, Daniel Barenboim, Georges Prêtre und Giuseppe Patané suchten dabei ganz unterschiedliche Wege, um die französischen und deutschen Traditionslinien der Partitur zu versöhnen. Uwe Friedrich vergleicht die Interpreten.

Aufnahmen mit den Dirigenten Louis Fourestier, Daniel Barenboim, Georges Prêtre, Giuseppe Patané und anderen
Von Uwe Friedrich

Hélène Bouvier (Dalila), José Lucchioni (Samson), Paul Cabanel (Le Grand Prêtre), Charles Cambon (Abimélech); Choeurs et Orchestre du Théâtre National de l’ Opéra de Paris; Louis Fourestier
Naxos (1946)

Rita Gorr (Dalila), Jon Vickers (Samson), Ernest Blanc (Le Grand Prêtre), Anton Diakov (Abimélech); Choeurs René Duclos, Orchestre du Théâtre National de l’ Opéra de Paris; Georges Prêtre
EMI (1962)

Oralia Dominguez (Dalila), Jon Vickers (Samson), Ernest Blanc (Le Grand Prêtre), Henk Driessen (Abimélech); Groot Omroepkoor, Radio Filharmonisch Orkest; Jean Fournet
Opera d’ Oro (1964)

Christa Ludwig (Dalila), James King (Samson), Bernd Weikl (Le Grand Prêtre), Alexander Malta (Abimélech); Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester; Giuseppe Patané
BMG (1973)

Elena Obraztsova (Dalila), Plácido Domingo (Samson), Renato Bruson (Le Grand Prêtre), Pierre Thau (Abimélech); Choeurs de l’ Orchestre de Paris, Orchestre de Paris; Daniel Barenboim
Deutsche Grammophon (1978)

Marjana Lipovsek (Dalila), Carlo Cossutta (Samson), Alain Fondary (Le Grand Prêtre), Yves Bisson (Abimélech); Chor der Volksoper Wien, Kammerchor Sofia, Bregenzer Festspielchor, Wiener Symphoniker; Sylvain Cambreling
Koch Schwann (1988)

Agnes Baltsa (Dalila), José Carreras (Samson), Jonathan Summers (Le Grand Prêtre), Simon Estes (Abimélech); Chor und Symphonie-Orchester des Bayerischen Rundfunks; Colin Davis
Philips (1989)

Waltraud Meier (Dalila), Plácido Domingo (Samson), Alain Fondary (Le Grand Prêtre), Jean-Philippe Courtis (Abimélech); Choeurs et Orchestre de l'Opéra-Bastille; Myung-Whun Chung
EMI (1991)

Olga Borodina (Dalila), José Cura (Samson), Jean-Philippe Lafont (Le Grand Prêtre), Egils Silins (Abimélech); London Symphony Orchestra and Chorus; Colin Davis
Warner Classics (1998) (2 hrs.)

 DEUTSCHLANDFUNK KULTUR
Berlin, GERMANY

128K (VBR) OGG VORBIS
128 MP3

56K OGG VORBIS
33K OGG VORBIS
M

64K MP3
schedule
 
1900
2:00PM
SPECIAL PROGRAM: Berwaldhallen Stockholm
Aufzeichnung vom 12.01.2018

Georg Friedrich Händel
"Il Trionfo del Tempo e del Disinganno", Oratorium in zwei Teilen HWV 46a
Libretto: Benedetto Pamphili

Sandrine Piau, Sopran
Inga Kalna, Sopran
Romina Basso, Alt
Michael Spyres, Tenor
Schwedisches Radio-Symphonieorchester
Leitung: Emmanuelle Haïm

Die gefeierte französische Dirigentin Emmanuelle Haïm gibt ihr Stockholm-Debüt mit Georg Friedrich Händels erstem Oratorium "Der Triumph von Zeit und Wahrheit".

Die gefeierte französische Dirigentin und Cembalistin Emmanuelle Haïm gibt ihr Stockholm-Debüt mit Georg Friedrich Händels Oratorium "Der Triumph von Zeit und Wahrheit". Das erste Oratorium des Hallenser Wahl-Londoners datiert aus seiner italienischen Zeit. Es ist eine Parabel auf die Vergänglichkeit des Lebens. aber auch eine Reflexion über die Gültigkeit moralischer Werte. Händel hat darin schon viele musikalische Motive komponiert, die er später wieder verwenden sollte, so zum Beispiel das berühmte "lascia ch'io pianga" aus dem Londoner "Rinaldo", das hier schon mit einem anderen Text auftaucht. Die Alte-Musik-Expertin Emmanuelle Haïm hat bereits viel Erfahrung gesammelt, wie sie einem modernen Sinfonieorchester die barocken Themen und Spielweisen vermittelt. Jetzt in Stockholm wird ihr das auf ihre unnachahmlich mitreißende Art wieder gelingen. (2 hrs., 30 min.)

 MUSIQ'3
Brussels, BELGIUM
128K Aac
128K MP3
schedule
 
1900
2:00PM
SPECIAL PROGRAM: Journées de musique ancienne de Regensburg - Eglise St Oswald 3/6/2016 Damien Guillon, contreténor - Ensemble Masques - Olivier Fortin

von Biber : Sonata III in D minor (Fidicimium sacro-profanum)
Schütz : Erbarm dich mein, O Herre Gott SWV 447
Schmelzer : Sonata III a sei (sacro-profanus concentus musicus, Nürnberg, 1662)
Erlebach : Auf der Kreuzes Finsternis folgt die Sonne ganz gewiss
Schmelzer : Lamento sopra la morte Ferdinandi III
Buxtehude : Muss der Tod denn auch entbinden
von Biber : Sonata IX in B flat (Tam aris quam aulis)
Schmelzer : Sonata a cinque (sacro-profanus concentus musicus,Nürnberg, 1662)
Geist : Vater unser, der du bist im Himmel
Schmelzer : Sonata a VI a sei (sacro-profanus concentus musicus, Nürnberg, 1662)
J. Christoph Bach : Ach, dass ich Wassers gnug hätte
Damien Guillon, countertenor - Masques Ensemble (Canada) - Olivier Fortin, harpsichord, organ et dir.
Publicité

DIVERS
6 pièces de divers compositeurs
Ensemble Masques - Olivier Fortin, dir. (Clavecin et orgue) - Damien Guillon, contre-ténor

DIVERS
5 pièces de divers compositeurs
Ensemble Masques - Olivier Fortin, dir. (Clavecin et orgue) - Damien Guillon, contre-ténor

CAVALIERI EMILIO DE'
Rappresentatione di Anima, e di Corpo (large extrait)
L'Arpeggiata - Christina Pluhar (2 hrs.)

 

RADIO KLASSIK STEPHANSDOM
Vienna, AUSTRIA

128K MP3
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schedule
 
1900
2:00PM
Opernabend: Vivaldi, Antonio (1678-1741)
Orlando Furioso

Orlando: Marie-Nicole Lemieux
Alcina: Jennifer Larmore
Angelica: Veronica Cangemi
Riggiero: Philippe Jaroussky
Astolfo: Lorenzo Ragazzo
Bradamante: Ann Hallenberg
Medoro: Blandine Staskiewicz
Choeur "Les Éléments", Ensemble Matheus
Leitung: Jean Christophe Spinosi

Diese Aufnahme entstand im Jahr 2004.
CD: naive, OP 30393 (3 hrs., 9 min.)

 RAI RADIO 3
Rome, ITALY

128K aacPlus

  
schedule
 
1900
2:00PM
Il Cartellone: Teatro Regio di Torino - Turandot, Orchestra e Coro del Teatro Regio di Torino dir. Gianandrea Noseda
La principessa Turandot: Rebeka Lokar.
Il principe ignoto (Calaf): Jorge de León.
Liù, giovane schiava: Erika Grimaldi.
Timur: In-Sung Sim.
L’imperatore Altoum: Antonello Ceron.
Ping: Marco Filippo Romano.
Pang: Luca Casalin.
Pong: Mikeldi Atxalandabaso.
un mandarino: Roberto Abbondanza.
il principe di Persia: Joshua Sanders. (3 hrs.)
  
GMT 1930/EST 2:30PM
GMT 1930/EST 2:30PM
 RADIO CLASSICA
Rome, ITALY

128K aacPlus

 
schedule
 
1930
2:30PM
l'opera lirica: In Sala

léo delibes
lakmé, opera in 3 atti
su libretto di edmond gondinet e philippe gille. prima rappresentazione: parigi, opéracomique,
14 aprile 1883. atto I 1/1 - 1/15 53'01". atto II 1/16 - 2/8 1h03'34". atto III
2/ 9 - 2/15 32'34"
personaggi e interpreti: lakmé: mady mesplé, sopr; gerald: charles burles, ten;
nilakantha: roger soyer, bs; mallika: danielle millet, msopr; frédéric: jean-christophe
benoit, br; ellen: bernadette antoine, sopr; rose: monique linval, sopr; miss bentson:
agnes disney, msopr; hadji: joseph peyron, ten; orch e coro del "theatre national
opéra-comique" dir. alain lombard - m° del coro: roger list (reg. 1970)
durata: 149.19
emi 7494312 f 2F tr 1 (2 hrs., 35 min.)

  
GMT 2110/EST 4:10PM
GMT 2110/EST 4:10PM
 YLE KLASSINEN
Finnish Radio

192k WMP

 
schedule
 
2110
4:10PM
SPECIAL PROGRAM: Musiikkia ja laulua suurten löytöretkien ajalta Euroopasta (säv. tuntematon, Dalza, Escobar, Hume ym.). (New World Consort ja Suzie Le Blanc, sopraano). (1 hr., 11 min.)
  
   
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